H. W. RagasBluin' the blues Original Dixieland Jazz
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At the jazz band ball
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original dixieland jazz band-29-39
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Artist/Composer: original dixieland jazz band
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Original Dixieland Jazz Band - Darktown Strutters Ball 1918 | 1.23 MB | 1.28 MB | 1.06 MB |
Original Dixieland Jazz Band - Good-Bye Alexander 1918 | 1.37 MB | 1.43 MB | 1.15 MB |
Original Dixieland Jazz Band - Hold That Tiger1917 | 771 KB | 1.55 MB | 397 KB |
Original Dixieland Jazz Band - King Tut Strut | 240 KB | 289 KB | 224 KB |
Original Dixieland Jazz Band - Margie | 1.44 MB | 1.49 MB | 961 KB |
Original Dixieland Jazz Band - Ringtail Blues | 1.31 MB | 2.67 MB | 800 KB |
Original Dixieland Jazz Band - Sensation Rag 1918 | 1.36 MB | 927 KB | 842 KB |
Original Dixieland Jazz Band - Slide Kelly Slide 1919 | 1.32 MB | 1.37 MB | 675 KB |
Original Dixieland Jazz Band - That's Got 'Em 1919 | 1.38 MB | 1.43 MB | 1.07 MB |
Original Dixieland Jazz Band - (Back Home Again In) Indiana | 1.56 MB | 1.61 MB | 1.40 MB |
- Louis Armstrong, Swing That Music, 1936
Audio Files | 64Kbps MP3 | VBR MP3 | Ogg Vorbis |
Original Dixieland Jazz Band - Georgia Swing | 1.14 MB | 2.05 MB | 1.14 MB |
Original Dixieland Jazz Band - Indiana | 1.52 MB | 1.57 MB | 1.40 MB |
Original Dixieland Jazz Band - Jazz Me Blues | 1.38 MB | 2.46 MB | 757 KB |
Original Dixieland Jazz Band - LIVERY STABLE BLUES 1917 (the FIRST Recording of Jass !) | 1.43 MB | 3.15 MB | 1.66 MB |
Original Dixieland Jazz Band - Look at 'Em Doing It | 1.70 MB | 2.17 MB | 1.50 MB |
Original Dixieland Jazz Band - Mammy O' Mine 1920 | 1.68 MB | 3.00 MB | 1.09 MB |
Original Dixieland Jazz Band - Medley | 3.37 MB | 4.22 MB | 3.37 MB |
Original Dixieland Jazz Band - One-Step | 1.20 MB | 1.01 MB | 760 KB |
Original Dixieland Jazz Band - Ostrich Walk | 1.46 MB | 1.87 MB | 1.09 MB |
original dixieland jazz band - Sphinx 1920 | 1.40 MB | 2.51 MB | 1.17 MB |
Original Dixieland Jazz Band - Medley
The Original Dixieland Jazz Band, who billed themselves "The Creators of Jazz", have long been been dismissed as the White guys who copied African-American music, and called it their own. There is a lot of truth to that statement, but on the other hand, The Original Dixieland Jazz Band's recordings still hold their own unique charm, over 80 years after their initial release. However unfair and indicative of the racism of the era, the record "Livery Stable Blues", coupled with"Dixie Jass Band One Step" became the first Jazz record ever released on February 26, 1917 for the Victor Talking Machine Company. It was wildly successful. Its release signaled the beginning of the Jazz age and helped define the wild, exuberent era we call the "Roaring Twenties". The Original Dixieland Jazz Band had recorded for Columbia in January 1917, but the session was unsuccessful and the band had to come back and re-record the songs, thus the release of the Columbia sides did not come about until after the amazing success of the Victor records. The group had formed in New Orleans, all of the musicians had played in Papa Jack Laine's Reliance Brass Band at one time or another. In 1916 the band moved from New Orleans to Chicago, just like so many of the African-American and Creole musicians from that city. In Chicago, they played a season at the Booster Club under the name of Stein's Dixie Jass Band. At the beginning of the following year the band ditched Stein and moved to New York where, on the recommendation of Al Jolson, they landed a gig at Reisenweber's Café on Columbus Circle and 58th Street, a fashionable restaurant and night-spot. The band created quite a stir and Columbia rushed to record the band only two weeks after they had arrived in the city. The band was an immediate success, with their wacky stage antics, like wearing top hats that spelled out "Dixie", playing the trombone's slide with the foot, and so on. The band's slogan was "Untuneful Harmonists Playing Peppery Melodies", and their leader Nick La Rocca and cornet player delighted in stirring up the press, describing themselves as musical anarchists and coining fun statements like "Jazz is the assassination of the melody, it's the slaying of syncopation". After the Reisenweber's Café engagement end the band played at the Alamo Cafe (148th Street) and the College Inn at Coney Island. The Original Dixieland Jazz Band went on to record and play in London, producing 20 tracks for Columbia, including another big hit, Soudan. They returned to America in July of 1920. They signed a new record contract with Okeh, but the public began to tire of them and they never regained the sales or popularity of their initial success. The group broke up in 1925 after La Roccasuffered a nervous breakdown. The surviving members briefly re-formed in 1936 and recorded some sides for Victor. In 1940 the band re-formed yet again, but this time without La Rocca and recorded six sides for Bluebird and played up until 1940. Eddie Edwards formed a version of the band that recorded a V-Disc during World War II and for Commodore Records in 1945 and 1946. Tony Sbarbaro was the only other original member to perform on those sessions. |
Title | Director | Year |
The Good For Nothing | Carlyle Blackwell | 1917 |
Title | Recording Date | Recording Location | Company |
Alice Blue Gown (Joseph McCarthy / Harry Tierney) | 5-14-1920 | London, England | Columbia 824 |
At The Jass Band Ball (Larry Shields /Nick LaRocca) | 9-3-1917 | New York, New York | Aeolian Vocalion A 1205 |
At The Jazz Band Ball (Larry Shields /Nick LaRocca) | 3-18-1918 | New York, New York | Victor 18457-A |
At The Jazz Band Ball (Larry Shields /Nick LaRocca) | 4-16-1919 | London, England | Columbia 735 |
Barnyard Blues (Original Dixieland Jass Band) | 8-17-1917 | New York, New York | Aeolian Vocalion B 1205 |
Barnyard Blues (Nick LaRocca) | 4-16-1919 | London, England | Columbia 735 |
Barnyard Blues (Original Dixieland Jazz Band) | 4-20-1923 | New York, New York | Okeh 4841 |
Barnyard Blues (Nick LaRocca) | 10-9-1936 | New York, New York | Victor 25502 |
Barnyard Blues (A-1) (Nick LaRocca) | 4-6-1946 | New York, New York | Commodore C-610 |
Barnyard Blues (A-2) (Nick LaRocca) | 4-6-1946 | New York, New York | Commodore (G)6.26170 |
Barnyard Blues (B-1) (Nick LaRocca) | 4-6-1946 | New York, New York | Commodore C-610 |
Barnyard Blues (B-2) (Nick LaRocca) | 4-6-1946 | New York, New York | Commodore (G)6.26170 |
Bluin' The Blues (Henry Ragas) | 12-30-1920 | New York, New York | Victor 18483-A |
Bluin' The Blues featuring Larry Shields on clarinet (Henry Ragas) | 9-2-1936 | New York, New York | Victor 25403-B |
Bluin' The Blues (Henry Ragas) | 10-9-1936 | New York, New York | Victor 25525-A |
Bow Wow Blues (My Mama Treats Me Like A Dog) (Cliff Friend / Nate Osbourne) | 12-1-1921 | New York, New York | Victor 18850-A |
Broadway Rose Introducing "Dolly (I Love You)" (Eugene West / Martin Fried / Otis Spencer) (Wheeler Wadsworth / Victor Arden) | 2-25-1918 | New York, New York | Victor 18722-A |
Clarinet Marmalade Blues (Larry Shields / Eddie Edwards / Tony Sparbaro / Nick LaRocca) | 7-17-1918 | New York, New York | Victor 18513-B |
Clarinet Marmalade Blues Featuring Nick LaRocca on Trumpet and Larry Shields on Clarinet (Larry Shields / Eddie Edwards / Tony Sparbaro / Nick LaRocca) | 10-9-1936 | New York, New York | Victor 25525-B |
Crazy Blues (Introducing "It's Right Here For You") (If You Don't Get It - Tain't No Fault O' Mine) (Perry Bradford / Alex Belledna) | 1-28-1921 | New York, New York | Victor 18729-B |
Darktown Strutters Ball (3) (Shelton Brooks) | 5-31-1917 | New York, New York | Columbia A2297 |
Darktown Strutters Ball (4) (Shelton Brooks) | 5-31-1917 | New York, New York | Columbia A2297 |
Dangerous Blues Vocal Chorus - Al Bernard (Anna Welker Brown / Billie Brown) | 1-28-1921 | New York, New York | Victor 18798-A |
Did You Mean It? Featuring Nick La Rocca on the Trumpet Vocal refrain by Chris Fletcher (Mort Dixon / Jesse Greer) | 9-25-1936 | New York, New York | Victor 25420-B |
Dixie Jass Band One Step Introducing "That Teasin' Rag" (J. Russel Robinson / Nick LaRocca / Joe Jordan) | 2-26-1917 | New York, New York | Victor 18255-A |
Drop A Nickel In The Slot (Fred E. Ahlert / Joe Young) | 1938 | New York, New York | Bluebird B-7454 |
Fidgety Feet (Larry Shields / Nick LaRocca) | 2-25-1918 | New York, New York | Victor 18564-A |
Fidgety Feet (Larry Shields / Nick LaRocca) | 9-25-1936 | New York, New York | Victor 25668 |
Good-Night, Sweet Dreams, Good-night Vocal refrain by Lola Bard (Teddy Powell / Leonard Whitcup) | 1938 | New York, New York | Bluebird B-7444-A |
Home Again Blues (Introducing "Lindy") (Irving Berlin / Harry Akst) | 1-28-1921 | New York, New York | Victor 18729-A |
I Live For Love | 10-9-1935 | New York, New York | Vocalion 3084 |
I'm Sittin' High On A Hill-Top | 10-9-1935 | New York, New York | Vocalion 3084 |
Indiana (2) (James F. Hanley) | 5-31-1917 | New York, New York | Columbia A2297 |
Indiana (3) (James F. Hanley) | 5-31-1917 | New York, New York | Columbia A2297 |
I'm Forever Blowing Bubbles (Kenbrovin / Kellette) | 1-8-1920 | London, England | Columbia 805 |
In My Little Red Book (Stillman / Bloch / Simon) | 1938 | New York, New York | Bluebird B-7444-B |
I've Got My Captain Working For Me Now (Irving Berlin) | 1-8-1920 | London, England | Columbia 815 |
I've Lost My Heart In Dixieland (Irving Berlin) | 12-1-1920 | London, England | Victor 815 |
Jazz Me Blues (Tom Delaney) | 5-3-1921 | New York, New York | Victor 18772-B |
Jezebel (Mercer / Warren) | 1938 | New York, New York | Bluebird B-7454 |
'Lasses Candy (Nick LaRocca) | 8-19-1919 | London, England | Columbia 759 |
Lazy Daddy (Larry Shields / Nick LaRocca / Henry Ragas) | 7-17-1918 | New York, New York | Victor 18564-B |
Lazy Daddy (1) (Larry Shields / Nick LaRocca / Henry Ragas) | 10-20-1945 | New York, New York | Commodore (G)6.26170 |
Lazy Daddy (2) (Larry Shields / Nick LaRocca / Henry Ragas) | 10-20-1945 | New York, New York | Commodore unissued |
Lazy Daddy (3) (Larry Shields / Nick LaRocca / Henry Ragas) | 10-20-1945 | New York, New York | Commodore unissued |
Lazy Daddy (Larry Shields / Nick LaRocca / Henry Ragas) | 4-6-1946 | New York, New York | Commodore C-612 |
Livery Stable Blues (Ray Lopez / Yellow Nuńez ) | 2-26-1917 | New York, New York | Victor 18255-B |
Look At 'Em Doing It Now (Larry Shields) | 11-21-1917 | New York, New York | Aeolian Vocalion 1242 |
Mammy O'Mine (Maceo Pinkard) | 12-1-1920 | London, England | Columbia 804 |
Margie (Intro. "Singin' The Blues") (Con Conrad / J. Russel Robinson) | 12-1-1920 | New York, New York | Victor 18717-A |
Mornin' Blues (Tony Sbarbaro) | 7-17-1918 | New York, New York | Victor 18513-A |
Mournin' Blues (1) (Tony Sbarbaro) | 10-20-1945 | New York, New York | Commodore (G)6.26170 |
Mournin' Blues (2) (Tony Sbarbaro) | 10-20-1945 | New York, New York | Commodore unissued |
Mournin' Blues (Tony Sbarbaro) | 4-6-1946 | New York, New York | Commodore C-611 |
Mournin' Blues) (Tony Sbarbaro) | 4-6-1946 | New York, New York | Commodore unissued |
My Babies Arms (Joseph McCarthy / Harry Tierney) | 1-8-1920 | London, England | Columbia 805 |
Old Joe Blade | 9-25-1936 | New York, New York | Victor 26039 |
Original Dixieland One-Step (Nick LaRocca) | 10-9-1936 | New York, New York | Victor 25502 |
oooOO-OH Boom! (Mike Riley) | 1938 | New York, New York | Bluebird B-7442-A |
Oriental Rag (Dinwitty) | 11-24-1917 | New York, New York | Aeolian Vocalion 12097 |
Ostrich Walk (Larry Shields / Nick LaRocca) | 2-26-1917 | New York, New York | Victor 18457-B |
Ostrich Walk (Larry Shields / Nick LaRocca) | 11-24-1917 | New York, New York | Aeolian Vocalion A 1206 |
Ostrich Walk (Larry Shields / Nick LaRocca) | 5-12-1919 | London, England | Columbia 736 |
Ostrich Walk Featuring Larry Shields on clarinet (Larry Shields / Nick LaRocca) | 9-25-1936 | New York, New York | Victor 25460-A |
Ostrich Walk (B-1) (Larry Shields / Nick LaRocca) | 4-6-1946 | New York, New York | Commodore C-612 |
Ostrich Walk (Larry Shields / Nick LaRocca) | 10-20-1945 | New York, New York | Commodore (G)6.26170 |
Ostrich Walk (B-TK1) (Larry Shields / Nick LaRocca) | 4-6-1946 | New York, New York | Commodore (G)6.26170 |
Palestreena (Con Conrad / J. Russel Robinson) | 12-4-1920 | New York, New York | Victor 18717-B |
Please Be Kind (Sammy Cahn / Saul Chaplin) | 1938 | New York, New York | Bluebird B-7442-B |
Reisenweber Rag (Original Dixieland Jass Band) | 11-24-1917 | New York, New York | Aeolian Vocalion 1242 |
Royal Garden Blues (Clarence Williams / Spencer Williams) | 5-25-1921 | New York, New York | Victor 18798-B |
Satanic Blues (Larry Shields / Emile Christian) | 8-13-1919 | London, England | Columbia 759 |
Satanic Blues (Larry Shields / Emile Christian) | 2-9-1936 | New York, New York | Victor unissued |
Sensation Rag (Eddie Edwards) | 2-25-1918 | New York, New York | Victor 18483-B |
Sensation Rag (Eddie Edwards) | 5-12-1919 | London, England | Columbia 736 |
Shake It And Break It (Friscoe / Clark) | 4-6-1946 | New York, New York | Commodore C-613 |
Shake It And Break It (Friscoe / Clark) | 4-6-1946 | New York, New York | Commodore (G)6.26170 |
Skeleton Jangle (Nick LaRocca) | 2-25-1918 | New York, New York | Victor 18472-A |
Skeleton Jangle (Nick LaRocca) | 10-9-1936 | New York, New York | Victor 25524 |
Skeleton Jangle (Larry Shields / Nick LaRocca) | 4-6-1946 | New York, New York | Commodore C-611 |
Skeleton Jangle (Larry Shields / Nick LaRocca) | 4-6-1946 | New York, New York | Commodore (G)6.26170 |
Skeleton Jangle (Larry Shields / Nick LaRocca) | 4-6-1946 | New York, New York | Commodore unissued |
Slipping Through My Fingers (Lou Singer / Milton Leeds / Irving Mills) | 10-9-1935 | New York, New York | Vocalion 3099 |
Some Of These Days (Shelton Brooks) | 1-3-1923 | New York, New York | Okeh 4738-A |
Soudan (Sebek) | 5-14-1920 | London, England | Columbia 829 |
Sphinx (B. Barbour) | 5-14-1920 | London, England | Columbia 824 |
St. Louis Blues Vocal Chorus - Al Bernard (W.C. Handy) | 5-25-1921 | New York, New York | Victor 18772-A |
Sweet Mama (Papas Getting Mad) Introducing "Strut, Miss Lizzie (Rose / Little / Frost / Creamer / Layton) | 12-30-1920 | New York, New York | Victor 18722-B |
Tell Me (Max Kortlander) | 1-8-1920 | London, England | Columbia 804 |
Tiger Rag (Nick LaRocca) | 8-17-1917 | New York, New York | Aeolian Vocalion B 1206 |
Tiger Rag (Nick LaRocca) | 2-25-1918 | New York, New York | Victor 18472-B |
Tiger Rag (Nick LaRocca) | 5-19-1919 | London, England | Columbia 748 |
Tiger Rag (Nick LaRocca) | 4-20-1923 | New York, New York | Okeh 4841 |
Tiger Rag featuring Larry Shields on clarinet (Nick LaRocca) | 10-9-1936 | New York, New York | Victor 25524-A |
Tiger Rag (Nick LaRocca) | 9-2-1936 | New York, New York | Victor unissued |
Tiger Rag (Nick LaRocca) | 12-30-1943 | New York, New York | V-Disc 214 |
Tiger Rag (1) (Nick LaRocca) | 10-20-1945 | New York, New York | Commodore (G)6.26170 |
Tiger Rag (2) (Nick LaRocca) | 10-20-1945 | New York, New York | Commodore unissued |
Tiger Rag (Nick LaRocca) | 4-6-1946 | New York, New York | Commodore C-610 |
Toddlin' Blues (Nick LaRocca) | 11-23-1922 | New York, New York | Okeh 4738-B |
Toddlin' Blues (Nick LaRocca) | 9-25-1936 | New York, New York | Victor 25460-B |
When You And I Were Young Maggie (J.A. Butterfield) | 4-6-1946 | New York, New York | Commodore C-613 |
When You And I Were Young Maggie (J.A. Butterfield) | 4-6-1946 | New York, New York | Commodore (G)6.26170 |
Who Loves You? Featuring Nick La Rocca on the Trumpet Vocal refrain by Chris Fletcher (B. Davis / J. Fred Coots) | 9-25-1936 | New York, New York | Victor 25420-A |
You Stayed Away Too Long | 10-9-1935 | New York, New York | Vocalion 3099 |
Artist | Instrument |
Lola Bard | Vocals |
Al Bernadi | Vocals |
Clifford Cairns | Vocals |
Bob Casey | Bass |
Emile Christian | Trombone |
Eddie Conson | Guitar |
Wild Bill Davidson | Trumpet |
Eddie Edwards | Trombone |
Brad Gowans | Clarinet |
Bobby Hackett | Cornet |
Billy Jones | Piano |
Max Kaminsky | Trumpet |
Eddie King | Vocals |
Benny Krueger | Alto Saxophone |
Nick La Rocca | Cornet |
Jack Lesberg | Bass |
Yellow Nuńez | Clarinet |
Don Parker | Saprano Saxophone |
Henry Ragas | Piano |
J. Russel Robinson | Piano |
Teddy Roy | Piano |
Tony Sbarbaro (a.k.a. Tony Spargo) | Drums, Kazoo |
Gene Schroeder | Piano |
Artie Seaberg | Clarinet |
Larry Shields | Clarinet |
Frank Signorelli | Piano |
Henry Vanicelli | Piano |
Original Dixieland Jass Band
Original Dixieland Jazz Band | |
---|---|
A 1918 promotional postcard showing (from left), drummer Tony Sbarbaro (aka Tony Spargo), trombonist Edwin "Daddy" Edwards, cornetist Dominick James "Nick" LaRocca , clarinetist Larry Shields and pianist Henry Ragas. | |
Background information | |
Origin | New Orleans, Louisiana |
Genres | Jazz |
Years active | 1916–1925, 1936 |
The group composed and made the first recordings of many jazz standards, the most famous being "Tiger Rag". In late 1917 it changed the name to "Jazz."
The band consisted of five musicians who had previously played in the Papa Jack Lainebands, a diverse and racially integrated collection of musicians who played for parades,dances, and advertising in New Orleans.
The ODJB were frequently billed as the "Creators of Jazz", because they were the first band to record jazz commercially and to have hit recordings in the new genre. The appellation is accurate in that they were the first band to create successful and popular recordings of jazz. Band leader and trumpeter Nick LaRocca argued that the ODJB deserved recognition as the first band to record jazz commercially and the first band to establish jazz as a musical idiom or genre.
Contents |
Jazz Me Blues (1921)
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