Mikor szóba kerül a blues, elősször mindenki a M. deltára gondol, N.O,-ra, de azután azonnal Chicago jön. Nem igen találok semmi szabadpolcost. Saját szar amatőrfelvételből van egy "blogom"(Mike Red's), de onnan nem hozok ide tartalmat, miért duplikálnám? Azért talán érdemes végignézni a lapot, az alján van egy blues adatbázis. Pipafüstre gondolok komoly, faboritásu régi könyvtárban...
The Lee Boys Live at Chicago Blues Festival on 2009-06-14
The Lee Boys
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06-14-09
Chicago Blues Festival
Grant Park
Chicago, IL
[show] (79:41)
1. ...intro... (0:59)
2. Glory (7:32)
3. I'm Not Tired (11:52)
4. ?instrumental? > (9:00)
5. Walk With Me Lord (9:32)
6. ?instrumental? * (18:47)
7. ...banter... (0:39)
8. Don't Let the Devil Ride > (10:08)
9. Everybody Needs Somebody to Love (10:45)
10. ...band intros... (0:33)
* with Rico on bass.
Gibson Crossroads Stage, 3:30pm - 5pm
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The Chicago Jazz Quartet
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Jazz Vocalists
Corporate Receptions-Weddings-Private Events
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Martinis & Sinatra
Corporate Receptions-Weddings-Private Events
 | Martinis & Sinatra |
Chicago Entertainment on the Radio
"This is Chicago Jazz" with Mike Jeffers
heard Tuesday Nigts on Avenue 950am
Join drummer and publisher of Chicago Jazz Magazine Mike Jeffers each week on Avuenue 950 am as he discusses Chicago Entertainment options and what is happening on the
Chicago Jazz Scene.
...........................................................................................
Eva Cassidy - Live at Blues Alley
This movie is part of the collection: Open Source Movies
Producer: marty baldwin
Audio/Visual: sound, color
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Chicago blues
From Wikipedia, the free encyclopedia This article does not cite any references or sources.
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2007)
This article may contain original research. Please improve it by verifying the claims made and adding references. Statements consisting only of original research may be removed. More details may be available on the talk page. (September 2007)
Chicago blues
Stylistic origins Delta blues, instrumentation
Cultural origins Early twentieth century: Chicago, Illinois, US
Typical instruments Electric guitar, Harmonica, drums, Piano, Bass guitar, Saxophone
Fusion genres
Rock and roll, Rock music, Rhythm & Blues
The Chicago blues is a form of blues music that developed in Chicago, Illinois by taking the basic acoustic guitar and harmonica-based Delta blues and adding electrically amplified guitar, amplified bass guitar, drums, piano, and sometimes saxophone, and making the harmonica louder with a microphone and an instrument amplifier. In fact, some even used the trumpet. The music developed in the first half of the twentieth century due to the Great Migration (African American) when poor Black workers moved from the South into the industrial cities of the North such as Chicago.
Chicago Blues has a more extended palette of notes than the standard six-note blues scale; often, notes from the major scale and dominant 9th chords are added, which gives the music a more of a "jazz feel" while remaining in the confines of the blues genre. Chicago blues is also known for its heavy rolling bass. Like Delta Blues, Chicago Blues often uses a harmonica and occasionally saxophones.
Guitarist Buddy Guy performing at the Bonnaroo Music Festival in 2006.Contents [hide]
1 Notable musicians
2 Notable record labels
2.1 Chess Records
2.2 Cobra Records
2.3 Delmark
2.4 Alligator Records
2.5 Twinight Records
3 See also
4 References
5 External links
[edit]
Notable musicians
See also: List of Chicago blues musicians
Well-known Chicago blues players include singer/songwriters such as Muddy Waters, Howlin' Wolf, and Willie Dixon; guitar players such as Freddie King, Magic Sam, Syl Johnson, Buddy Guy, Robert Lockwood Jr., McKinley Mitchell, Bo Diddley, Mike Bloomfield and Elmore James; and harmonica players such as Big Walter Horton, Little Walter, Charlie Musselwhite, Paul Butterfield and Junior Wells. Also Jimmy Reed.
[edit]
Notable record labels
[edit]
Chess Records
Main article: Chess Records
Chess Records, run by brothers Leonard and Phil Chess, was probably the most famous of the Chicago record labels to feature or promote blues. Musician and critic Cub Koda even described Chess Records as "America's greatest blues label."[1] It was active from 1950–1969 when the brothers sold the company. Most solo artists also did double duty as session musicians on the records of others.
Checker Records was a subsidiary of Chess that recorded Chicago blues greats such as Bo Diddley, J.B. Lenoir, Robert Lockwood Jr. and Sonny Boy Williamson II.
[edit]
Cobra Records
Main article: Cobra Records
Cobra Records (together with its Artistic subsidiary) was an independent record label that operated from 1956 to 1959. The label was important for launching the recording careers of Chicago blues artists Otis Rush, Magic Sam, and Buddy Guy. It signaled the emergence of a distinctive West Side Sound.
Cobra Records was started on Chicago's West Side in 1956 by Eli Toscano (a record store and television-repair shop owner) and Howard Bedno. When his previous record label, Abco Records, failed to generate much interest, Toscano approached Willie Dixon about working for Cobra. Dissatisfied with his arrangement with Chess Records, Dixon joined Cobra. There he served in many capacities, including talent scout, producer, arranger, songwriter, and bassist, as well as guiding its artistic vision.
[edit]
Delmark
Main article: Delmark
Delmark was formed when Bob Koester moved his Delmar label from St. Louis to Chicago in 1958 and remains active today. They are still known for Jazz and Blues. Artist recorded by the label includes Roscoe Mitchell, Junior Wells, Robert Lockwood Jr. and Sonny Boy Williamson II.
[edit]
Alligator Records
Main article: Alligator Records
Bruce Iglauer, a former employee of Delmark, formed Alligator Records in 1971. Alligator Records remains a premier blues label to this day. They have recorded Chicago blues greats such as Koko Taylor, Buddy Guy, Otis Rush, Hound Dog Taylor and Eddy "The Chief" Clearwater.
[edit]
Twinight Records
Main article: Twinight Records
Twinight Records was a minor American recording label, founded in Chicago 1967 by Howard Bedno and Peter Wright, who later added E. Rodney Jones as a partner. Specializing in R&B and soul music, for a few months the label was called Twilight Records until it was discovered that another company already owned the Twilight name. Over five years, the label released (or at least recorded) 55 singles and charted seven times. The label’s star was Syl Johnson, an established R&B performer who had had a number of hits for King Records and who would have his biggest hits for Hi Records in the 1970s. Johnson’s hits at Twinight included "Come on Sock it to Me" (1967), "Sorry ‘Bout Dat", "Different Strokes", "Is It Because I'm Black" (1969), and "Concrete Reservation". Testament records
[edit]
See also
Chicago record labels
Chicago Blues Festival (1984—)
Maxwell Street
Music of Chicago
[edit]
References
^ http://allmusic.com/cg/amg.dll?p=amg&sql=10:jpfixqegldse
France Jean Baptiste
Chicago blues example and lesson
Windy City Blues Internet Radio Station Featuring The Best In Chicago Blues Plus Other Blues Greats
Blues Festival
[edit]
External links
http://www.cod.edu/wdcb/wdcb_online.htm - Free with no commercials streaming blues from College of DuPage, Illinois on Saturdays from 7:00 p.m. - 10:00 pm Central Time[hide]
v • d • e
Blues
Subgenres Boogie-woogie · Classic female blues · Country blues · Delta blues · Electric blues · Fife and drum blues · Jump blues · Piano
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