Hillbilly 2

Koncertek nyári éjszakában, szunyogok, lepkék es ki tudja, milyen kis szárnyas teremtményei az Úrnak, füst és langyos sör, de szól a hegedü és átölel a közeli viz szaga...

A Csík Zenekar Ferenczi György és a Rackajam: Részletek

(2011. június 13-án Siófokon koncertezett a Csík Zenekar, Ferenczi György és a Rackajam. Néhány gyenge minőégü amatőrfelvétel részlet a produkcióbol, csak a hangulat kedvéért. A koncert részletek letölthető amatőr videói: MESSZE DÉLEN)

A Csík Zenekar tagjai:

Majorosi Marianna – ének

Barcza Zsolt – cimbalom

Bartók József – bőgő

Csík János – hegedű

Kunos Tamás – brácsa

Makó Péter – fúvós

Szabó Attila – hegedű

Ferenczi György és a Rackajam tagjai:

Apáti Ádám – tangóharmonika, basszusgitár

Bizják Gábor – kürt

Ferenczi György – szájharmonika, hegedű

Jankó Miklós – cayon

Kormos Levente – gitár

Pintér Zsolt – mandolin

Tartalom:

(Letöltés Számonként: klikk a linkre, lejátszás, jobbklikk, mentés másként.)

1. patak

01- Két szine van a legénynek

3.8 MB

02- a "Magyar"

3.4 MB

03- Ősszel érik

6.1 MB

04- Ne sirasd gyöngy koszorúdat!

6.1 MB

05- Szilágysági Lakodalmas Dallamok

6.5 MB

2.patak

Fusson, akinek nincs bora!

18.3 MB

3. patak

01- Senki nem ért semmit

4.8 MB

02-Haza vezetsz

6.2 MB

03- Gyere rózsám

4.1 MB

04- Ez a vonat ha elindul

6.5 MB

05- outro -Instr.

4.1 MB

4. patak

01. intro -instr.

2.2 MB

02. Nem ver meg engem az Isten

8.2 MB

03. Ki vagyok én?

2.5 MB

A Folyó

01. Eleredt a könnyem...

7.8 MB

02. Ha megfogom az ördögöt

3.4 MB

03. Messze délen és egy balladarészlet

7.6 MB

Taped, transferred, and remastered by

Forever ARTISJUS Records

***

Hillbilly Jazz - Exit / In - Nashville - Fri night show (April 4, 1975)

Hillbilly Jazz band,
featuring
Vassar Clements on violin
Doug Jernigan on pedal steel Exit / In Nashville, Tenn April 4, 1975

Taped, transferred, and remastered by Monte Barry

Published April 23, 2008

420bikeandhike@gmail.com

Set 1

d1t01 instrumental from the Hillbilly Jazz album

d1t02 instrumental from album

d1t03 Dixie Breakdown

d1t04 Nine Pound Hammer

d1t05 Little Rock Getaway

d1t06 If You've Got the Money

d1t07 Jernigan solo instrumental from album

d1t08 Caravan

d1t09 Hey Good Lookin'

d1t10 Foggy Mountain Breakdown

d1t11 Salty Dog

d1t12 Soldier's Joy

d1t13 C Jam Blues

Set 2

d2t01 Deep Allen Blues

d2t02 Mocking Bird

d2t03 Kissime Kid

d2t04 Panhandle Rag

d2t05 Orange Blossom Special

d2t06 Black Mountain Rag

d2t07 gospel tune

d2t08 Faded Love

d2t09 Allman Bros instrumental

d2t10 Roly Poly

d2t11 Lonesome Fiddle Blues

Hillbilly Jazz dual-LP

Flying Fish Records - 1975

letöltés /download :

VBR M3U (Hi-Fi)
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(39 MB)64Kbps MP3 ZIP
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Vasar Clements & Doug Jernigan




scroll carving shown on Vassar's fiddle

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This text is copied & pasted from Vassar's website. Hillbilly Jazz is a form of music created by fiddle virtuoso Vassar Clements. Besides being one of the freshest sounds to come from Nashville, it is commercial, listenable, danceable and very enjoyable. Hillbilly Jazz is music that could and should get mass recognition, something the diehard followers have known and declared for years.

Hillbilly Jazz is an amalgam of the diverse influences that have touched Vassar throughout his career, but it's particularly a composite of his country background and his affinity for the jazz and swing music of his youth. Early in his career, Vassar learned Bluegrass and country styles while working with the like of Bill Monroe, et al., but he's also gained respect as a jazz player. His duet album with the legendary jazz fiddler Stephane Grappelli, "Together At Last" led to his fifth grammy nomination.

Vassar says, "actually I heard more swing than country or bluegrass while I was growing up in Florida. I've always loved that kind of rhythm." Back then he was just a young fiddler, naively interpreting on his instrument the sounds he was hearing his Big Band idols play.

"I used to sit in with combos in Florida, and I even won dance contests during the Big Band era. I was playing jazz along with them, but at this time, I had never heard of Stephane Grappelli, Joe Venutti or any of those great guys. Neither had I ever heard much western swing by Bob Wills. Somehow, I think the swing style, subconsciously has always come through in almost everything I've played."

Vassar has always been open-minded to new ideas and seemingly has been able to find common musical and philosophical bonds with anyone from the diversified roster of Artists who have enlisted his talents. He always seems emotionally caught up in his performances. As his bow glides effortlessly across the strings, his eyes closed, head cocked and a pensive expression on his face, it's as if he is lost in another world.

Hillbilly Jazz is an uninhibited and unabashed expression of Vassar's open-minded approach to music, people and life in general. In the true tradition of all the great musical stylists, Vassar has rejected the straitjacket of labeling. This has resulted in a natural blend of the creative freedom in jazz and the to the point honesty of country. He performs with the depth of someone who has lived a lot and as if his soul has been prepared to play his Hillbilly Jazz.

Instrumentally, Vassar boldly blazes a trail for his band. His fiddle solos soar and glide gently over the rhythm in a manner reminiscent of saxophonist Lester Young's work with the Count Basie Band decades ago. But what perhaps surprises even Vassar's most ardent admirers is his vocals, another definite statement of his affection for cultural roots and family ties.

But just as Bill Monroe is to bluegrass, Elvis Presley to rock and roll, and Bob Wills was to Western Swing, so will and should be Vassar Clements to the field of Hillbilly Jazz.

There may be many imitators, but Vassar Clements will always remain the king of Hillbilly Jazz.

Vassar Clements

1928 - 2005